uab 2026 Calendar Collaboration With NUAC

uab bank 2026 Calendar

ရိုးရှင်းခံ့ညား ရိုးရာချည်များ၊ လှပသေသပ် လက်ရက်ကန်းအတတ်
ထိန်းသိမ်းဝတ်ဆင် မြန်မာတို့အစဉ်၊ ဂုဏ်ပြုဖော်ကြူး uab စိတ်ကူး

ရိုးရှင်းခံ့ညား ရိုးရာချည်များ
လှပသေသပ် လက်ရက်ကန်းအတတ်
ထိန်းသိမ်းဝတ်ဆင် မြန်မာတို့အစဉ်
ဂုဏ်ပြုဖော်ကြူး uab စိတ်ကူး

🎨 The Rich Tapestry of Myanmar's Traditional Textiles

Art is a form that vividly showcases the culture, standards, and traditions of a people or nation. Among Myanmar’s many ancient crafts, the traditional weaving arts (Yat Kan) are one of the most significant aspects of the nation’s cultural identity, representing the skill and creativity of its diverse ethnic groups. From royal courts to remote hill regions, these fabrics tell the stories of heritage, dignity, and nature’s beauty.

Celebrating the Legacy: A Modern Initiative

Myanmar’s traditional arts, including weaving, continue to thrive. Initiatives like the one by uab bank, in collaboration with the National University of Arts and Culture (NUAC) Yangon, are dedicated to empowering the next generation.

By featuring twelve traditional weaving and textile crafts through the creative works of NUAC students in its 2026 calendar, the bank honors the rich legacy of Myanmar’s loom craftsmanship while providing a fresh, modern interpretation. This initiative amplifies the voices of emerging artists, paving the way for a vibrant future in creativity while preserving and celebrating Myanmar’s unique textile heritage. “With love, admiration, and pride, Honoring our woven heritage, Cherishing the loom’s tradition.”

January

Kachin Traditional Weaving — A Tapestry of Nature’s Beauty

Discover the timeless artistry of Kachin traditional weaving, where every thread reflects the harmony of mountain landscapes and forest life. Crafted using the centuries-old back-strap loom technique, Kachin textiles embody both cultural heritage and refined craftsmanship.

Each piece showcases intricate patterns inspired by the natural world, celebrating the elegance, resilience, and identity of the Kachin people. Today, these woven creations remain cherished garments, proudly worn and preserved as a symbol of cultural pride and enduring tradition.

Paing Hein

Paing Hein is a Final Year Painting student at the National University of Arts and Culture (Yangon), where he has been studying from 2023 to the present. He was born on February 11th, 1999, in Yangon Division, Myanmar. His art activities include participation in the “Thanakha Art Exhibition (Group Artwork)” in 2025.

February

Pa-O Traditional Weaving — A Distinctive Cultural Style

Pa-O traditional weaving is renowned for its bold and refined aesthetic. Using deep black and dark blue as the foundation, artisans incorporate striking color patterns that create a unique visual identity. These carefully crafted textiles reflect the harmony, sincerity, and natural beauty of the Pa-O people.

Preserved and proudly worn from ancient times to the present, Pa-O fabrics stand as a testament to cultural resilience and artistic heritage—celebrating a style that is unmistakably their own.

Min Nyi Nyi Thaw

Min Nyi Nyi Thaw is a student artist born on February 12th, 2002, in Paung township, Zingyaik, Myanmar, to parents U Aung Zaw Tun and Daw Tin Tin Su. He studied at the National University of Arts and Cultural (Yangon) from 2019–2020 and is a Final Year (Painting) student in 2025. His art activities include the Creation art Exhibition at Water Lily Gallery in 2022, the 2023 30th Anniversary NUAC Art Exhibition, “Beautiful Pottery from Twantay” in 2025, and the “Rhythm of Myanmar Thanakha The Student Art Exhibition” in 2025.

March

Amarapura Acheik: A Timeless and Iconic Design

The Amarapura Acheik weaving tradition is celebrated for its graceful interplay of flowing wave patterns and delicate floral motifs. This intricate design, crafted through meticulous hand-weaving techniques, stands as one of Myanmar’s most treasured artistic expressions.

Regarded as a cultural masterpiece, the Amarapura Acheik has been cherished from ancient times through the present day. Its timeless elegance, vibrant colors, and distinctive patterns continue to be worn with pride—symbolizing the enduring artistry and cultural heritage of Myanmar.

Zin Mi Mi Aung

Zin Mi Mi Aung is a student artist born on January 18th, 2000, in Yangon Township. She is a final year (painting) student, with parents U Aung Phone Myint and Daw Htar Htar Maw. Her art activities include the Creation art Exhibition at Water Lily Gallery in 2022, the National University of Art and Culture 30th anniversary Campus Exhibition in 2023, and the “Beautiful Pottery from Twantay” at NUAC Campus in 2025.

April

Naga Attire: The Splendor of the Hill Region

The traditional attire of the Naga people reflects the strength, bravery, and cultural richness of the hill region. Adorned with intricate beadwork, shells, and wooden ornaments, these vibrant costumes embody both the beauty of nature and the proud heritage of the Naga Hills.

Today, Naga communities continue to wear these distinctive garments with pride, especially during cultural celebrations and traditional dances at major events such as the Naga New Year Festival. Their attire not only preserves ancient craftsmanship but also showcases the enduring spirit and identity of the Naga people.

Ma Nang Sine Kyauk

Ma Nang Sine Kyauk, born on December 28th, 2001, is a currently a fourth-year student majoring in Painting at the National University of Arts and Culture, Yangon. Her artwork experience includes participation in the 30th Anniversary Art Exhibition at NUAC Yangon on August 31st, 2023, and the “Rhythm of Myanmar Thanakha The Student Art Exhibition” at NUAC Yangon in 2025.

May

Yaw Longyi: Simplicity and Cultural Value

The Yaw longyi is a testament to the artistry and heritage of the Yaw people. Characterized by its simple yet elegant checked patterns, this traditional garment beautifully reflects the cultural values and identity of the community.

Meticulously woven on handlooms, each Yaw longyi represents generations of craftsmanship and dedication. Today, these timeless textiles continue to be treasured and preserved, standing as an enduring symbol of Myanmar’s traditional culture.

Pyae Sone Aung

Pyae Sone Aung was born on June 28th, 2003, in Tamuu, Sagaing, and has been studying at the National University of Art and Culture (Yangon) from 2021 to 2025. His art experience includes the “Creative Art Exhibition” at Water Lily Art Gallery in 2022, the 30th Anniversary NUAC exhibition in 2023, and the “Beautiful Pottery from Twantay” at NUAC Campus in 2025.

June

Mon Textiles: Woven with Floral Splendor

Mon traditional textiles, intricately crafted with vibrant threads forming floral and vine motifs, showcase the exceptional artistry of handloom weaving. These exquisite patterns highlight the refined aesthetic and cultural identity of the Mon people.

Today, Mon fabrics continue to be cherished and proudly worn, serving as a lasting symbol of heritage and the esteemed dignity of the Mon community.

Naing Lin Soe

Naing Lin Soe, born on May 17th, 2001, is a student artist whose parents are U Sa La Thein and Daw San San Win. He studied at High school Ye’-U and is a Final student in Painting from 2020 to 2025. His art activities include the National University Of Art and Culture 30th anniversary Exhibition in 2023, a Group Show at Water Lady Gallery, and “Beautiful Pottery from Twantay” at NUAC Campus in 2025.

July

Karen Attire: Simple Stripes, Enduring Heritage

Karen traditional attire reflects the sincerity and purity of the Karen people through its simple yet elegant striped patterns, often dyed using natural tree bark. Woven on the back-strap loom—one of the oldest traditional weaving techniques—these garments are further adorned with beads, job’s tears (coix seeds), and colorful threads.

Today, Karen clothing continues to stand as a cherished symbol of traditional craftsmanship and cultural heritage, proudly preserved and celebrated across generations.

Thant Phyu Phyu Tun

Thant Phyu Phyu Tun was born on November 12th, 2004, in Yangon Division, Myanmar, and is a Final Year Painting student at the National University of Arts and Culture (Yangon), having studied there from 2023 to the present. Her portfolio of art activities includes the NUAC 30th Pearl Jubilee Art Exhibition (Group Artwork) in 2023 and the Thanakha Art Exhibition (Group Artwork) in 2025.

August

Chin Weaving: Stripes, Squares, and Dignity

The traditional back-strap loom creations of the Chin people showcase a striking blend of colors, checks, and straight-line patterns—each design reflecting the community’s long-standing dignity and cultural identity.

Every woven piece is crafted with exceptional care, resulting in textiles that are not only visually captivating but also deeply symbolic. Representing strength, courage, and artistic heritage, Chin weaving stands today as a proud testament to the enduring traditions of the Chin people.

Thoon Moe Shwe Yee

Thoon Moe Shwe Yee is a student artist from Myanmar, born November 7th, 2003. She is currently a final year Painting student at the National University of Art and Culture (NUAC), Yangon. Her artistic involvement includes the Creation of Art Exhibition at Waterlily Gallery in 2022 , the 30th Anniversary NUAC Art Exhibition in 2023, and participation in the 76th Union Day Celebration Painting Competition in 2023.

September

Kayan Weaving: A Natural, Simple Legacy

Kayan weaving is an ancestral craft that beautifully reflects the natural environment and the cultural symbols of the Kayan people. Rooted in tradition, this weaving heritage continues to be an essential part of their cultural attire—complementing iconic elements such as the brass rings worn by Kayan women.

Today, Kayan textiles remain both a proud expression of cultural identity and a thriving traditional home industry, preserving the artistry and legacy passed down through generations.

Ye Yint

Ye Yint is a student artist from Myanmar. Born on August 21st, 2002, in Kyaukse Region, Mandalay, he is currently a final year Painting student at the National University of Art and Culture (NUAC), Yangon, where he studied from 2022 to 2025. His parents are U Myint Aung and Daw May Kyi Oo. Ye Yint’s art involvement includes the Creation of Art Exhibition at Waterlily Gallery in 2022, the 30th Anniversary NUAC Art Exhibition in 2023, and participation in the 76th Union Day Celebration Painting Competition in 2023

October

Royal Acheik: Attire of Kings and Queens

Myanmar’s Royal Acheik textiles stand among the most magnificent treasures of the nation’s traditional heritage. These luxurious silk fabrics—expertly woven with gold and silver threads—were once reserved for the royal court, worn by ancient kings, queens, and members of the royal family.

Crafted by the most skilled master weavers, Royal Acheik is distinguished by its intricate wave motifs and delicate floral vine patterns. Each piece reflects exceptional artistry and timeless elegance, embodying the grandeur and cultural legacy of Myanmar’s royal era.

Antt Min Maung

Antt Min Maung is a student artist from Myanmar. He was born on December 9th, 2002, in Yangon Division, Myanmar. He is currently a Final Year Painting student at the National University of Arts and Culture (NUAC), Yangon, where he has been studying from 2023 to the present. His art activities include participating in the NUAC 30th Pearl Jubilee Art Exhibition (Group Artwork) in 2023 and the Thanakha Art Exhibition (Group Artwork) in 2025.

November

Inle Lotus Fiber: The Scent of Tradition

Inle lotus fiber—also known as lotus silk—is a rare and precious textile crafted from the delicate lotus stems found in the serene waters of Inle Lake. This remarkable fabric stands as a unique creation of the Intha community, renowned for their skill, patience, and deep connection to the lake.

Soft, cool, and naturally elegant, lotus fiber textiles remain an enduring heritage and a cherished symbol of pride for the Intha people. Passed down through generations, this traditional craft continues to reflect the beauty, spirit, and cultural identity of life on Inle Lake.

Mya Thinzar Hlaing

Mya Thinzar Hlaing, born on February 15th, 2001, in Yangon, Myanmar, is a Third Year Painting student at the National University of Arts and Culture, Yangon, from 2024 to 2025. Her art activities include the 30th Anniversary, NUAC Yangon, department of painting Art Exhibition in 2023, the National women’s day “art competition” in 2024, and the “Rhythm of Myanmar Thanakha The Student Art Exhibition” in 2025.

December

han Textiles: Colorful Stripes, Elegant Craftsmanship

Within the vibrant stripes of Shan textiles, the refined artistry of the Shan people comes to life. Woven on traditional handlooms, these fabrics are meticulously crafted with designs that embody simplicity, balance, and beauty.

From the era of the ancient Sawbwas (princes) to modern times, Shan textiles have remained a proud symbol of cultural dignity and aesthetic elegance. Carefully preserved across generations, they continue to represent the rich heritage and enduring craftsmanship of the Shan people.

Aein Mek Cheimt Cheimt

Aein Mek Cheimt Cheimt was born on August 9th, 1998, in Dagon Myothit East, Yangon, Myanmar, and is a Final year student at the National University of Art and Culture in 2025. She has extensive work experience from Root Art (2020-2021) and Mr. Blue (2021), and has worked at Art M since January 2025. Her art experience includes four solo exhibitions: “Dream,” “Memo,” and “Creative Souls” (Group) in 2023, and “Memo: Twige” in 2024, as well as the “Beautiful Pottery from Twantay” student exhibition in 2025.