Website Announcement

uab bank 2025 Calendar
A Timeless Legacy: Honoring the Crafts that Define Myanmar

“အစဉ်အလာများနဲ့. . . မြန်မာ့လက်မှု၊
ပဲ၊ ထိမ်၊ တဉ်း၊ တော့၊ ရန် နဲ့ ပု
တည်မြဲခြင်း နဲ့ ဂုဏ်ရှိန်ဦးမော့၊
ပွတ်၊ ချီ၊ ယွန်း နဲ့ ပန်းတမော့”

Art is a form that can vividly showcase the culture, standards, and traditions of a people or nation. Myanmar’s traditional craftsmanship, with its deep roots in heritage, is one of the most significant aspects of the nation’s cultural identity. Among the many ancient crafts, Myanmar’s fine artistry stands out as the most renowned, representing the skill and creativity of its people.

The Timeless Legacy of Myanmar’s Ten Traditional Arts

The ten traditional arts, once revered as “be, tain, tin, taut, yan, bu, mau, poot, chi, yoon” have been immortalized in Myanmar’s royal history and royal decrees. These arts are now acknowledged and celebrated in the country’s culture and history. The traditional weaving arts, such as Yat Kan and Shwe Che Hto, are particularly important as they have flourished since the reign of Myanmar kings. These art forms continue to represent wealth and prestige, making them a symbol of Myanmar’s rich cultural heritage.

Continuing its social contribution, uab bank has been dedicated to empowering young people, women, and children. In collaboration with the National University of Arts and Culture (NUAC) Yangon, uab bank has highlighted Myanmar’s traditional arts and crafts in the 2025 calendar. Featuring twelve crafts through the creative works of NUAC students, this calendar honors the rich legacy of Myanmar’s craftsmanship while providing a fresh, modern interpretation.

Inspiration Behind the uab bank 2025 Calendar

As a leading change and humanising banking, uab bank is committed to uplifting and empowering youth, women, and children. Through the 2025 Calendar, we honor Myanmar’s rich craft heritage while amplifying the voices of emerging artists. This initiative creates a platform for the next generation to showcase Myanmar’s traditional arts in a fresh light, paving the way for a vibrant future in creativity.

As a leading change and humanising banking, uab bank emphasizes the importance of preserving and celebrating Myanmar’s heritage.

“With love and admiration,
Proudly honoring and celebrating,
Constantly respecting and cherishing…”

Daw Khin Htet Wai
Second Head of Department, Lecturer (Painting Department), NUAC (Yangon) said

For the uab bank 2024 calendar, we collaborated under the concept Art is Love. This year, uab 2025 calendar has been created with a focus on the Ten Myanmar Traditional Arts, incorporating Myanmar’s gold embroidery and hand-weaving artistry to creatively represent the twelve months of the year. These artworks were created in collaboration with 12 talented students from the first, second, and fourth years of our department.

Each student contributed their unique artistic style, resulting in a calendar that we believe will stand out as one of the finest of its kind. Art is an essential aspect of our humanity, and we hope that the paintings featured in this calendar will inspire and uplift people in their daily lives.

Furthermore, the 2025 calendar includes detailed information about the participating students, their artistic profiles, and insights into the creative process behind each painting. We invite you to explore and appreciate the cultural richness and craftsmanship of Myanmar’s traditional arts through this collection.

January
Enduring Elegance – Myanmar’s Panbe Art
Panbe, Myanmar’s timeless craft of blacksmithing, has roots in the Tagong era and has flourished through the ages, leaving an indelible mark on the nation’s cultural heritage. This traditional craft involves melting metals like iron and bronze to forge tools such as locks, grills, bells, and even weapons for kings and warriors. Passed down through generations, Panbe represents art and is a testament to Myanmar’s historical legacy and enduring craftsmanship.
Thel Hmone Myint
Currently a second-year Painting student at the National University of Arts and Culture (NUAC) Yangon, Thel Hmone Myint showcases a remarkable fusion of creativity and professionalism in her work. Her accomplishments include participating in NUAC Student Group Art Exhibitions in 2018 and 2020. Her dedication to meaningful causes shines through in her painting for National Women’s Day. With a sharp eye for detail and unwavering commitment to her craft, she continues to produce art that resonates deeply with viewers.
February
Timeless Grace – Myanmar’s Pantain Art
Pantain, the traditional art of goldsmithing and silversmithing in Myanmar, involves skilled artisans melting metals like gold, silver, and other alloys to create intricate jewellery and decorative ornaments. These exquisite creations reflect the delicate artistry of Myanmar’s cultural heritage, representing prosperity, love, and spiritual devotion. Renowned for their fine detail and elegance, these timeless treasures have been carefully preserved, ensuring that this exceptional craft continues to thrive through the present day.
Khun Thein Than Soe
Now in the final year (2023–2024) of his painting program at NUAC Yangon, Khun Thein Than Soe has developed an impressive portfolio. Notable achievements include his contributions to the 30th Anniversary NUAC Art Exhibition and recognition at the Union Day Painting Competition. Born on December 1, 2000, in Yangon, Myanmar, he combines technical mastery with a passion for artistic storytelling, making his work both evocative and deeply rooted in cultural significance.
March
Shining Across the World – Myanmar’s Pantin Art
Pantin, the ancient art of bronze casting in Myanmar, is celebrated as a timeless cultural heritage. Among its most iconic creations is the Mingun Bell, the world’s largest ringing bell, which stands as a testament to Myanmar’s remarkable craftsmanship. Weighing 87 tons and towering 12 feet 6 inches tall, this magnificent bell is a marvel of bronze-casting artistry. Pantin continues to preserve and showcase the enduring skill and tradition of Myanmar’s artisans, inspiring awe across generations.
Tay Zar Kyaw
Currently a second-year Painting student at the National University of Arts and Culture (NUAC) Yangon, Tay Zar Kyaw expresses emotions through vibrant brushstrokes. His work has been featured in the 30th Anniversary NUAC Painting Exhibition (2023), the First Arrow Group Exhibition (2024), and the Sunshine After Rain Collective (2024). With each piece, he continues to refine his craft and leave a lasting impression.
April
Refined Elegance – Myanmar’s Pantaut Art
Pantaut, the traditional art of intricate stucco design, graces the entrances, doorways, and sculptures of Myanmar’s temples with its delicate floral patterns and ornate motifs. This ancient craft has been a prominent feature in architectural design since the historic periods of Sriketra and Beikthano, bearing witness to the rich cultural and artistic legacy of those eras.
Naing Aung Nyein Chan
A fourth-year Painting student at NUAC Yangon, blends traditional Burmese culture with modern art. His work has been showcased in prestigious exhibitions, including “PWE: Reflection of Burmese Nat Spirits” (2024) and “NET PWE” at the Goethe Institute (2023). His art reflects a deep passion for cultural storytelling and creative exploration.
May
Strength and Splendor – Myanmar’s Panyan Art
Panyan, the traditional art of bricklaying and masonry in Myanmar, has been a cornerstone of construction since before the Pyu era. This ancient craft involves skillfully binding bricks with mortar, forming the foundation of architectural marvels. From the awe-inspiring pagodas of the Bagan period to colonial-era buildings and modern-day structures, Myanmar’s exceptional masonry craftsmanship remains visible. Panyan continues to stand as a lasting representation of the nation’s rich cultural heritage and architectural excellence.
Aung Chan Thar
Born on November 15, 2004, in Penwegon, Bago, Aung Chan Thar is a talented Painting student at the National University of Arts and Culture (NUAC), Yangon. Passionate about art from a young age, he showcased his work at the university’s 30th Anniversary Art Exhibition in 2023. Known for his dedication to his craft, Aung enjoys exploring new techniques and drawing inspiration from his surroundings.
June
Cherished and collected – Myanmar’s Panbu Art
Panbu, the traditional art of sculpture in Myanmar, involves carving and sculpting materials such as wood, stone, metal, animal bones, ivory, resin, and wax to create sculptures. These artistic creations reflect Myanmar’s natural beauty and abundant resources, representing its rich cultural heritage. Even today, collectors around the world value these ancient Myanmar sculptures, seeking them out to preserve and profit from their timeless artistry.
Shin Khant Lu
A second-year student at NUAC Yangon, is an accomplished young artist with a passion for blending tradition and innovation. Born on May 11, 2005, in Yangon, Myanmar, he has gained recognition through national awards and participation in the 30th Anniversary NUAC Art Exhibition in 2023. His artwork showcases a keen eye for creativity, offering new interpretations of Myanmar’s cultural heritage.
July
Timeless Craft – Myanmar’s Pantamaulat Art
Pantamaulat, the art of stone sculpting in Myanmar, involves carving fine details into sandstone and marble to create figurative sculptures. The ancient Myazedi inscription (Yazakumar Inscription) showcases the enduring legacy of Pantamaulat craftsmanship that has thrived since the Bagan era, embodying the passion of artisans dedicated to preserving cultural heritage.
Phoo Pwint Theingi
With a passion for creative expression, Phoo Pwint Theingi brings her imagination to life through her artwork. Her journey includes exhibiting at the 30th Anniversary NUAC Art Exhibition (2023), competing in the English Talk Show Competition (May 2023), and participating in the National Women’s Day Art Competition (March 2024). Through her art, Phoo strives to inspire others and highlight the beauty found in everyday life.
August
Smooth and Polished – Myanmar's Panpoot Art
Panpoot, the art of turning designs on the lathe, showcases the intricate craftsmanship of wood carving in Myanmar. This tradition has thrived in Myanmar for centuries, with artisans carving elaborate designs into wooden structures like temples and traditional houses. Each piece tells a story, reflecting the community’s values, beliefs, and the harmony between humans and nature.
Khaing Hsu Yie
Khaing Hsu Yie is currently in her second year at the National University of Arts and Culture (NUAC) in Yangon, majoring in Painting (2022–Present). She has garnered significant recognition in art competitions since her childhood. Her achievements include the 1st Prize in the Mitsubishi Art Competition (2017–2018) and the Martyrs’ Day Commemorative Painting competition (2019–2020). With awards in various categories like human trafficking awareness art and national commemorations, her artistic prowess has been evident across multiple platforms.
September
High Standard Art - Myanmar's Panchi (Painting)
Rooted in Buddhist traditions and Myanmar’s rich cultural heritage, painting has long been a significant form of artistic expression. Often seen on temple walls, these paintings depict stories from religious teachings and Myanmar’s traditional culture. The vibrant colors and intricate details reflect the emotions and experiences of the people, bridging generations through visual storytelling. Myanmar’s painting styles range from traditional motifs to contemporary techniques, highlighting a rich artistic heritage.
Phyo Pyae Pyae Linn

A third-year Painting student at the National University of Arts and Culture (NUAC), Yangon, Phyo Pyae Pyae Linn is an emerging artist with a growing portfolio of exhibitions and accolades. Born on April 26, 2001, in Yangon, her work reflects dedication and artistic maturity.

Her accomplishments include winning Third Prize at the National Women’s Day Art Competition and showcasing her talent in the NUAC 30th Anniversary Art Exhibition. She has also exhibited five paintings at the Art and Sculpture Association and participated in a group show at Waterlily Art Gallery. Additionally, she competed in the Union Day Art Competition, further solidifying her presence in the art scene.

October
Beautiful and Elegant - Myanmar's Panyun

Panyun, the traditional craft of making lacquerware, showcases meticulous skill and deep cultural significance. Practiced for centuries, this art form produces both functional and decorative items. Today, the Bagan lacquerware industry continues to thrive and remain renowned. The lacquerware pieces, often adorned with gold-plated figures and intricate flower designs, represent the shared heritage and dedication to craftsmanship that define Myanmar’s culture.

Htet Si Thu

Currently in the second year of a painting program at the National University of Arts and Culture (NUAC), Yangon, Htet Si Thu has already showcased remarkable talent. He contributed to the 30th Anniversary NUAC Art Exhibition in 2023, demonstrating a keen eye for merging traditional and modern artistic styles. Born on August 26, 2002, in Ayeyarwady Division, Myanmar, he approaches each project with a blend of passion and cultural pride.

November
Moving Forward - Myanmar's Yat Kan
Yat Kan, the traditional Burmese weaving craft, showcases Myanmar’s vibrant textile heritage. For generations, locals have cultivated cotton, indigo, saffron, and mallotus philippensis, while Burmese women have traditionally ground cotton, spun yarn, dyed, and woven intricate fabrics. Skilled weavers remain committed to preserving this traditional craft, and the stunning hand-woven textiles of Inle still enchanting tourists.
Lwin Hein Htet
A second-year painting student at NUAC Yangon, Lwin Hein Htet has participated in prestigious events such as the 30th Anniversary NUAC Art Exhibition in 2023. His academic journey is marked by a commitment to exploring vibrant and meaningful artistic expressions. Born on May 1, 2004, in Wakema City, Ayeyarwady Division, he is a promising artist who enjoys translating his unique perspectives into compelling visuals.
December
Increased Value - Gold Thread Embroidery
Shwe Che Hto, the traditional craft of gold and silver thread embroidery, intricately adorns garments with luxurious designs. This craft began during the reign of King Alaungpaya and was used to create elaborate clothing for royalty, symbolizing wealth and status. Skilled artisans celebrated Myanmar’s rich cultural heritage through this craft.
Thiri
Thiri, a 21-year-old aspiring artist, is in her second year at the National University of Arts and Culture, Yangon, studying Painting (2023–2024). With three years of dedication to art, she began formal training under Sayar U Thein Win in 2022 and later joined NUAC. Thiri actively participates in exhibitions such as the NUAC 30th Anniversary Art Exhibition and the True Image series. As a member of Doodle Earth Studio, she contributes to organizing art events and exhibitions while pursuing her passion for drawing and painting.